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A number of and works have been written for and string, wind, chamber, or full. English horn concertos appeared about a century later than solo pieces, mostly because until halfway through the 18th century different instruments (the, and the ) had the role of the tenor or alto instrument in the oboe family. The modern English horn was developed from the oboe da caccia in the 1720s, probably in. The earliest known English horn concertos were written in the 1770s, mostly by prominent oboists of the day, such as, (and his non-oboist brother Johann Michael Malzat). Few of these works have survived.
Among the oldest extant English horn concertos are those by Josef Fiala (a period transcription of a piece originally for viola da gamba) and Anton Milling. It is known that Milling's concerti were performed in 1782 by the Italian oboist. Many solos in orchestral works were written for the English horn and a decent amount of chamber music appeared for it as well. However, few solo works with a large ensemble were written for the instrument until well into the 20th century. Since then the repertoire has expanded considerably.
Of the 270+ concertos listed below, only 35 predate the Second World War. Years in italics are estimates, which may be off by as much as 10 years.
This concerto may be lost (see and (in Catalan). Carter's own adaptation of his pastoral for English horn and piano. In 1937 Carter also wrote a Concerto for English horn and orchestra, but did not finish it and the manuscript has been destroyed. This is an arrangement of one of Ferlendis' published oboe concertos, mistaken by Saint-Foix as a period arrangement of his lost English horn concerto.version by Marcia Kraus, first version of 1987, final version of 2006). This piece was originally a concerto for viola da gamba, which the composer played.
There is a period arrangement for basset horn. The English horn version is a 20th-century idea. Composition date unknown; composer lived from 1775 to 1850.
Soloist alternates between piccolo oboe (musette), oboe and English horn. The orchestral score does not appear to survive, and may never have been produced. MS with piano: US-NYpl.
Soloist alternates between oboe, oboe d'amore, and English horn. Soloist alternates between oboe d'amore, and English horn. Originally part of the score for the movie 'Henry IV'. Using the pseudonym Julius Steffaro.
Orchestration of Sonate in F minor by. 2nd movement of otherwise lost Concerto. Charles David Lehrer,. Wolf originally orchestrated his serenade for English horn and orchestra, but in the final version (finished by in 1903), the solo English horn was replaced by a solo viola. At 1:53 minutes hardly a 'concerto'.
^ Finkelman, Michael (1999). ^ Dan Stolper, The Double Reed 26 (1), page 20, 2003. ^ Soloist alternates between oboe and English horn. ^ Last finished composition by the composer. Lorraine Duso (1998). The Double Reed. Archived from on July 30, 2003.
^ 2008-07-15 at the. ^ Mike Silverton, Liner notes. Robert Pusey , The Double Reed Vol. 3, 1981. 2012-02-23 at the. Daniel Stolper, The Double Reed, Vol. 2, 1992.
Rapsis, Jeff (2014-06-14). Retrieved 2014-06-08. Wyckoff, Mark (2011-09-29). Ventura County Star.
Archived from on 2013-02-05. Retrieved 2014-06-08. Joseph Stevenson, at allmusic.com See also.